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Saint Peter [note 1] (born Shimon Bar Yonah; died AD 64–68), [1] also known as Peter the Apostle, Simon Peter, Simeon, Simon, or Cephas, [6] was one of the Twelve Apostles of Jesus Christ and one of the first leaders of the early Christian Church. He appears repeatedly and prominently in all four New Testament gospels as well as the Acts of ...
The liberation of the apostle Peter is an event described in chapter 12 of the Acts of the Apostles, where the apostle Peter is rescued from prison by an angel. Although described in a short textual passage, the tale has given rise to theological discussions and has been the subject of a number of artworks.
The Acts of Peter is one of the earliest of the apocryphal Acts of the Apostles in Christianity, dating to the late 2nd century AD. The majority of the text has survived only in the Latin translation of the Codex Vercellensis , under the title Actus Petri cum Simone ("Act of Peter with Simon").
Saint Peter's tomb is a site under St. Peter's Basilica that includes several graves and a structure said by Vatican authorities to have been built to memorialize the location of Saint Peter's grave. St. Peter's tomb is alleged near the west end of a complex of mausoleums, the Vatican Necropolis, that date between about AD 130 and AD 300. [1]
The Denial of Saint Peter by Caravaggio Flemish painting: Denial of Saint Peter by Gerard Seghers The Denial of St Peter by Gerard van Honthorst (1622–24). The prediction, made by Jesus during the Last Supper that Peter would deny and disown him, appears in the Gospel of Matthew 26:33–35, the Gospel of Mark 14:29–31, the Gospel of Luke 22:33–34 and the Gospel of John 13:36–38.
The Restoration of Peter (also known as the Re-commissioning of Peter) [1] is an incident described in John 21 of the New Testament in which Jesus appeared to his disciples after his resurrection and spoke to Peter in particular. Jesus restored Peter to fellowship after Peter had previously denied him and told Peter to feed Jesus' sheep.
The Crucifixion of Saint Peter (Italian: Crocifissione di san Pietro) is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601).
The most popular point of contention in the case of The Crucifixion of Saint Peter is the inordinately large representation of Peter himself. While Peter is in fact grossly disproportionate from the "ideal" frontal view, he is perfectly proportionate (and, more importantly, always visible) from every other vantage point.