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Balarama, the elder brother of Krishna, is regarded generally as an avatar of Shesha an extension of Ananta, a form of Vishnu. Balarama is included as the eighth avatar of Vishnu in the Sri Vaishnava lists, where Buddha is omitted and Krishna appears as the ninth avatar in this list. [8] He is particularly included in the lists where Krishna is ...
Krishna grows by showing several glories & butchering demons. Plus, he breaks Kamsa's pain and relieves his parents. At that time, he normalized his cousin Sishupala, who was born with bizarre attributes. It fears his mother, Srutashrava, because Sisupala's destiny of death is Krishna. So, she bestows a boon from Krishna by giving him 100 chances.
On the ninth day, Avatharam is repeated. The various benefits of Krishnanattam as an offering are: Avatharam for a birth of a child. Kaliyamardhanam to remove the effect of poison. Rasakreeda well-being of unmarried girls, to end disputes between couples. Kamsavaddham to remove enemies. Swayamvaram for a happy matrimony.
Krishna is considered a full avatar of Vishnu, or one with Vishnu himself. [176] However, the exact relationship between Krishna and Vishnu is complex and diverse, [177] with Krishna of Krishnaite sampradayas considered an independent deity and supreme. [23] [178] Vaishnavas accept many incarnations of Vishnu, but Krishna is particularly ...
Bali remembers the devotion of his grandfather, Prahlada, and so offers his head to Vishnu for the third step; pleased with this devotion, Krishna offers 'His disc to protect Bali Maharaja' and promises to remain with him as a doorkeeper (22). [123] Other details include: Vamana is the 15th overall incarnation of Krishna (1.3.19)
The Garga Samhita states that a shaktyavesha avatara is one of the six forms of incarnation of the deity Krishna, identified with Vishnu. The purpose of such an incarnation is regarded to be to enter a jiva (living being) in order to perform a given mission, after which the deity departs from this form.
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Krishnanattam. Krishnanattam (IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India.It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. [1]