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Psalm 19 is the 19th psalm in the Book of Psalms, beginning in English in the King James Version: ... Psalm 19 has been set to music several times. Handel's Messiah ...
The title comes from the Hebrew word for "psalms", and the work is the first to reflect Reich's Jewish heritage. It is in four parts, marked fast, fast, slow, and fast. Tehillim is the setting of Psalms 19:2–5 (19:1–4 in Christian translations); Psalm 34:13–15 (34:12–14); Psalm 18:26–27 (18:25–26); and finally Psalm 150:4–6. [1]
It is a paraphrase of Psalm 19 ("The heavens declare the glory of God"). Like the psalm, the poem speaks of the Creator's magnificence showing in the wonders of nature, which suited natural theology, popular during Gellert's lifetime. [1] The poem was set to music for voice and continuo in Carl Philipp Emanuel Bach's Gellert Odes and Songs.
Psalms 19:4: Psalm 19, The glory of God Epistle to the Romans: Scene 6: 40 / 36: Why do the nations so furiously rage together: Air B: Psalms 2:1–2: Psalm 2: 41 / 37: Let us break their bonds asunder: Chorus: Psalms 2:3: 42: He that dwelleth in heaven: Rec. T: Psalms 2:4: Scene 7: 43 / 38: Thou shalt break them with a rod of iron: Air T ...
Illustration of the weeping by the rivers of Babylon from Chludov Psalter (9th century). The song is based on the Biblical Psalm 137:1–4, a hymn expressing the lamentations of the Jewish people in exile following the Babylonian conquest of Jerusalem in 586 BC: [1] Previously the Kingdom of Israel, after being united under Kings David and Solomon, had been split in two, with the Kingdom of ...
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
Psalmen Davids (Psalms of David) is a collection of sacred choral music, settings mostly of psalms in German by Heinrich Schütz, who had studied the Venetian polychoral style with Giovanni Gabrieli. Book 1 was printed in Dresden in 1619 as his Opus 2.
Front page of the Becker Psalter (1602) 1628 first edition of Heinrich Schütz's Becker Psalter The Becker Psalter is a German metrical psalter authored by the Leipzig theologian Cornelius Becker and first published by Jakob Apel in Leipzig in 1602 under the title Der Psalter Davids Gesangweis.
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