Search results
Results from the WOW.Com Content Network
Two chapters are devoted to analyzing the ways in which visitors navigate the physical space of a museum. Falk and Dierking define the museum experience as "not just the result of interactions with exhibits, but the sum of his constructed personal, social and physical contexts" and go on to further posit that by working together, social and physical contexts create predictable visitor behaviors.
In the ’90s, non-art contexts are being increasingly drawn into the art discourse. Artists are becoming autonomous agents of social processes, partisans of the real. The interaction between artists and social situations, between art and non-art contexts has led to a new art form, where both are folded together: Context art.
Like prefaces, forewords, prologues, and introductions to literary works, the artist statement performs a vital if complex rhetorical role: when included in an exhibition proposal and sent to a curator, the artist statement usually provides a description of the work, some indication of the work's art historical and theoretical context, some ...
AP 3-D Art and Design is a three-dimensional (3-D) art course that holds many similarities to the 2-D course. The course deals with 3-D artistic applications such as metalworking, sculpture, computer models, and ceramics. Like AP Studio Art 2D, the focus is on the design of the artwork itself as opposed to its composition.
Advanced Placement (AP) Art History (also known as APAH) is an Advanced Placement art history course and exam offered by the College Board in the United States.. AP Art History is designed to allow students to examine major forms of artistic expression relevant to a variety of cultures evident in a wide variety of periods from the present to the past.
The Psychology of Art (1925) by Lev Vygotsky (1896–1934) is another classical work. Richard Müller-Freienfels was another important early theorist. [8] The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century.
If science expressed the inner nature of things it would be in competition with art, but it does not. Aesthetic art, by contrast to science, constitutes an experience. A poem operates in the dimension of direct experience, not of description or propositional logic. The expressiveness of a painting is the painting itself.
Also referred to as Personal science or N-of-1 research, [1] self-experimentation is an example of citizen science, [2] since it can also be led by patients or people interested in their own health and well-being, as both research subjects and self-experimenters.