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The Guerilla Filmmakers Handbook is a bestselling [1] textbook on low-budget and independent film production written by Chris Jones and Genevieve Jolliffe. Currently in its third edition, it consists primarily of interviews with filmmakers and case studies in filmmaking.
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
Some examples of producers are film studios, production companies or an individual. Source materials are often a book, theatrical play, or screenplay; however, they may also be articles, video games, songs, or any other work of intellectual property. The term is often used as a verb. For example, "Paramount optioned a short story by Ted Chiang."
It allows for a single company to maintain control over seemingly unrelated companies that fall within the ranges of entertainment, which increases and centralises the revenue into one company (example: a film production company, TV production company, video game company, and comic book company are all owned by a single entertainment company).
Brown is a 30-year veteran of motion picture production and he uses his experiences on many well-known films to illustrate his points. The book is a wealth of information and covers topics ranging from breaking down a film script to creating a budget, finding locations, dealing with the personalities, and hiring the crew. It also includes a ...
Production then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, in that the filmmaker typically shoots the script out of sequence, repeats shots as needed, and ...
While it is common for a film to lose its greenlight status during the pre-production phase – for example, when an essential cast member drops out or unexpectedly dies, or some scandal engulfs the studio or an actor – it is rare for a film to lose financing once principal photography has begun. [7]
A shooting schedule is a project plan of each day's shooting for a film production. It is normally created and managed by the assistant director, who reports to the production manager managing the production schedule and production board. Both schedules represent a timeline stating where and when production resources are used. [1]