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Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.
Film Song Composer(s) Writer(s) Co-artist(s) Anmol Ratan "Kaale Kaale Badalon Mein Paani" Vinod D. N. Madhok solo Bahurani "Yeh Kehdo Unse Jinhe Aashiq-e-Dilgir Kehte Hai"
Alleluia! Alleluia! Praise the Lord; Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We ...
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1] The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2]
He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama; some of which remain very popular even today.
Songs of Kabir (New York: MacMillan, 1915) [1] is an anthology of poems by Kabir, a 15th-century Indian spiritual master. It was translated from Hindi to English by Rabindranath Tagore , a Nobel Prize-winning author and noted scholar.
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
The name Brindavani Sarang is a testament to its popularity in the region around Mathura. The notes Ga and Dha are not used in this raga. A characteristic of all Sarang is the way Rishab (Re) is sung. The Rishabh is not accorded embellishments, so it is sung without any meenḍ of adjacent swaras neither with any andolan.