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Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
The deeper levels are organised into one circle for violence (Circle 7) and two circles for fraud (Circles 8 and 9). As a Christian, Dante adds Circle 1 (Limbo) to Upper Hell and Circle 6 (Heresy) to Lower Hell, making 9 Circles in total; incorporating the Vestibule of the Futile, this leads to Hell containing 10 main divisions. [26]
If heaven is a state of supernatural happiness and union with God, and Hell is understood as a state of torture and separation from God then, in this view, the Limbo of Infants, although technically part of hell (the outermost part, limbo meaning 'outer edge' or 'hem') is seen as a sort of intermediate state.
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
The Contrapasso of the sorcerers, astrologers, and false prophets, illustrated by Stradanus. In Dante's Inferno, contrapasso (or, in modern Italian, [1] contrappasso, from Latin contra and patior, meaning "suffer the opposite") is the punishment of souls "by a process either resembling or contrasting with the sin itself."
[1] [2] The play's title refers to Dante Alighieri's Inferno—in which Dante navigates a descent into the "nine circles of hell". In Cain's play, Green passes through his discharge from the Army and various judicial and administrative procedures, roughly paralleling the nine circles of Dante's Inferno. Cain structured the play so other cast ...
In The Divine Comedy, he sits at the entrance to the second circle in the Inferno, which is the beginning of Hell proper. Here, he judges the sins of each dead soul and assigns it to its rightful punishment by indicating the circle to which it must descend. He does this by circling his tail around his body the appropriate number of times.
These three types of sin also provide the three main divisions of Dante's Hell: Upper Hell, outside the city of Dis, for the four sins of indulgence (lust, gluttony, avarice, anger); Circle 7 for the sins of violence against one's neighbor, against oneself, and against God, art, and nature; and Circles 8 and 9 for the sins of fraud and treachery.