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The way a character speaks can be a powerful way of revealing the character's personality. In theory, a reader should be able to identify which character is speaking simply from the way they talk. [11] When a character voice has been created that is rich and distinctive, the writer can get away with omitting many speech attributions (tag lines ...
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
for literature, this may include writing style and literary technique; Description of fictional characters, places and devices as objects of the narrative; Mentioning the creator's intention (if references cover such information) Real-world perspective is not an optional criterion for quality, but rather a basic requirement for all articles.
The first part of the book describes eight major character archetypes in detail. [7] Those are: Hero: someone who is willing to sacrifice his own needs on behalf of others; Mentor: all the characters who teach and protect heroes and give them gifts; Threshold Guardian: a menacing face to the hero, but if understood, they can be overcome
The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini 's The Kite Runner , the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.
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The character either speaks to the audience directly (in the case of choruses, or characters that become epilogues), or more commonly, speaks to himself or herself in the fictional realm. [26] Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [ 27 ]