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Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon , video , drawing, printmaking , and performance . Nauman lives near Galisteo, New Mexico .
In 1967-68 artist Bruce Nauman made two videos (among many performance-based videos) in which he presents the idea of the contemporary artist as a somewhat businesslike but degraded clown/actor. In Art Make-Up (1967–68) Nauman videotapes himself applying successive layers of white, pink, green and black makeup to his entire face, arms, and torso.
Body Pressure is a 1974 performance piece by American artist Bruce Nauman. The performer or viewer is instructed to press "as much of the front surface of your body ... against the wall as possible", then to "[p]ress very hard and concentrate ... Think how various parts of your body press against the wall; which parts touch and which do not".
Topological Gardens was a 2009 art exhibition by Bruce Nauman at the 53rd Venice Biennale. The artist, representing the United States at the Biennale, received the festival's Golden Lion prize for best national participation.
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
The couple have a daughter, Maggie, born in 1972. She married artist Bruce Nauman in 1989. [11] Her relationship with Nauman, another prominent artist, has prompted more associations with Georgia O'Keeffe, because of the celebrated O'Keeffe relationship with Alfred Stieglitz. [8]
I’d happily make up for it with a cabochon ring or that Melody tangle of gold bangles. ... One artist has always been there. ... and she is deeply invested in her artists’ work.”—Bruce Nauman.
Live In Your Head: When Attitudes Become Form was an exhibition at the Kunsthalle Bern curated by the Swiss curator, Harald Szeemann, in 1969. [1] The show is considered a groundbreaking landmark for Postminimalist and Arte Povera work which, according to the New York Times, was "arguably the most famous exhibition of new art of the postwar era."
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