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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
Because it ran 7m 57s, longer than both sides of a standard 78 rpm 10-inch record, it was released on Columbia's Masterwork label (the classical division) as two sides of a 12-inch record. [ 47 ] In the 78 era, classical-music and spoken-word items generally were released on the longer 12-inch 78s, about 4–5 minutes per side.
As Newsweek reported, record sales grew in 2014 by more than 50 percent to hit more than a million, the highest since 1996 -- and sales are continuing to increase.
Carlos Martín Ballester (born 1974): 75,000 78 rpm records (carlosmb archive) plus 5,000 78 rpms records and 200 cylinders (private collection). [27] It is the largest collection of 78 rpm records pressed in Spain. Part of the archive is on sale and new items are added regularly. [28] Elton John (born 1947): 70,000 items. [29]
In the UK, labels considered collectible, such as Atlantic Records, Sun Records, Motown, and Parlophone , turned into mainstream major record labels later on in the 1960s. In the US, New York's Times Square store is widely acknowledged for feeding the doo-wop revival of the early sixties, attention focusing on them from 1959.
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
Over his lifetime, Bussard amassed a collection of between 15,000 and 25,000 records, primarily of American folk, gospel, jazz, and blues from the 1920s and 1930s. [1] From 1956 until 1970, Bussard ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music.
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