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Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting". [2] Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, [ 3 ] it was found alongside a small collection of other bronze statues in Arezzo , an ...
A realistic full-length portrait of a woman in a black dress, painted in 1893 or 1894. [4] At least one source says it is a portrait of Marie Breunig. [5] At least one source uses the title Portrait of a Lady in Black. [6] 04: 1895 – Love (oil on canvas, 60 cm × 44 cm) For its evanescent rarefaction the love scene reveals its symbolist mould.
The brown tones of the snake's body stand out in contrast with the pale woman's body, but take up the color scheme of the surrounding jungle. Collier presented his painting inspired by fellow painter and poet Dante Gabriel Rossetti 's 1868 poem Lilith, or Body's Beauty , which describes Lilith as the witch who loved Adam before Eve.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. [1]
A well-known anecdote of the time stated that Leonardo's father had once asked him to decorate the surface of a shield. In response, Leonardo had painted a "hybrid monster," combining the attributes of animals such as snakes, insects and lizards. Medusa, with her snakes for hair, could also be considered a "hybrid monster." [9]
Snake is an artwork by Australian artist Sir Sidney Nolan. Created between 1970 and 1972, it consists of 1,620 panels arranged so that the images on each panel form a larger image of a snake. [ 1 ] It is part of the collection of the Museum of Old and New Art (MONA) in Hobart , Australia.
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