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I Can Get It for You Wholesale is a musical originally produced by David Merrick, with music and lyrics by Harold Rome, and book by Jerome Weidman, based on his 1937 novel of the same title. Its 1962 production marked the Broadway debut of 19-year-old Barbra Streisand , who was nominated for the Tony Award for Best Featured Actress in a Musical .
Classification: Songs: Songs from musicals also: Theatre: Genres: Musical theatre: Songs from musicals Articles about songs that are part of a musical.For songs written for musical films, see Category:Songs written for films.
The BMI Lehman Engel Musical Theatre Workshop is a two-year educational program for people who wish to develop a musical and has been called "the premier incubator for Broadway". [1] At the end of the second year, a small number of selected participants are invited to join the advanced workshop program for further study and collaboration on ...
The musical's score will contain both classic Parton songs and new numbers she wrote specifically for the show. Parton and Maria S. Schlatter wrote the play's book, while Bartlett Sher will direct ...
A musical theatre audition consists of two to three separate auditions culminating in one audition experience: vocal audition, dance audition, and (less common) monologue preparation. For musical theatre, a standard audition consists of two 16-32 measures of selected songs, usually contrasting in some way (style, intention, characters, time ...
Rodgers (left) and Hammerstein (right) watching auditions at the St. James Theatre on Broadway in 1948. Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals.
Set on the bare stage of a Broadway theater, the musical is centered on seventeen Broadway dancers auditioning for spots on a chorus line. A Chorus Line provides a glimpse into the personalities of the performers and the choreographer, as they describe the events that have shaped their lives and their decisions to become dancers.
Jessica Vosk can still vividly remember her American Idol audition — and Simon Cowell’s less than complimentary feedback. “I walked in. I sang Heart’s ‘Alone.’ Everybody knows that song.