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The Beautiful Angel (1889) by Paul Gauguin. The Beautiful Angel (La Belle Angèle) is an 1889 painting by Paul Gauguin, now in the Musée d'Orsay in Paris. [1] Its title derives from a nickname for its subject, Angélique Marie Satre (1868-1932) - she was one of three famous innkeepers in Pont-Aven, where the work was produced.
Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
Angel (Madonna song) Angel of the Resurrection (Tiffany Studios stained glass window) Angel, Still Groping; The Angels' Kitchen; Angelus Novus; The Annunciation (Tanner) The Apotheosis of Homer (Ingres) Apparition of Christ to the Virgin; Apparition of the Virgin to St Bernard (Fra Bartolomeo) The Apparition of the Virgin to Saint Bernard (Murillo)
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
The most common subjects include Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity , including narrative scenes, usually from the Bible or the lives ...
Three Angels and Young Tobias; Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
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Vision after the Sermon (Jacob Wrestling with the Angel) is an oil painting by French artist Paul Gauguin, completed in 1888. It is now in the Scottish National Gallery, Edinburgh. It depicts a scene from the Bible in which Jacob wrestles an angel. It depicts this indirectly, through a vision that the women depicted see after a sermon in church.
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