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The film is set during the aftermath of the 1520s Spanish Conquest of the Aztec Empire, viewed primarily from the perspective of the Aztecs. The plot begins after the Massacre in the Great Temple in Tenochtitlan , and follows a lone Aztec scribe named Topiltzin [toˈpiɬt͡sin] , who is captured by Hernan Cortés and placed in the care of a friar .
The Aztecs regarded the Spaniards as already defeated, and were looking to gain glory from capturing live Spaniards to sacrifice to their gods. The Castilian cavalry spearheaded the attack, breaking through the ranks and decimating the Aztec lines, preparing them for the assault of the Castilian rodeleros and Tlaxcalan infantry. Though this ...
La Noche Triste ("The Night of Sorrows", literally "The Sad Night"), officially re-branded in Mexico as La Noche Victoriosa [2] ("The Victorious Night"), was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
A flower war or flowery war (Nahuatl languages: xōchiyāōyōtl, Spanish: guerra florida) was a ritual war fought intermittently between the Aztec Triple Alliance and its enemies on and off for many years in the vicinity and the regions around the ancient and vital city of Tenochtitlan, probably ending with the arrival of the Spaniards in 1519. [1]
Dan Snow journeys to the ancient heart of Mexico in search of the lost civilisation of the Aztecs and their last and greatest ruler, Montezuma II (1502–1520). Montezuma inherited an empire of five million people, stretching from present-day Mexico to Nicaragua, from his uncle. His rule was marked by incessant warfare.
The Aztecs were conquered by Spain in 1521 after a long siege of the capital, Tenochtitlan, where much of the population died from hunger and smallpox. Cortés, with 508 Spaniards, did not fight alone but with as many as 150,000 or 200,000 allies from Tlaxcala , and eventually other Aztec tributary states.
His version of the 2015 documentary “Best of Enemies” stages 1968’s legendarily vicious TV debates between the foremost public intellectuals of the day: left-wing novelist and […]
Mexica children were forcibly taken to newly established Christian schools where they were indoctrinated into Christian beliefs and Spanish culture, and the surviving Mexica men and women were sent to work in newly-established Spanish estates, known as haciendas, as well as mines and other civil projects, such as digging canals.