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"River of Love" is a moderate up-tempo, with steel-string acoustic guitar and pedal steel guitar accompaniment. Shawn Camp, Billy Burnette and Dennis Morgan, who wrote the song, all sing backing vocals on it as well. [1] The lyrics use a river as a metaphor for love ("Let's go rollin' on the river of love").
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Like guitar, basic ukulele skills can be learned fairly easily, and this highly portable, relatively inexpensive instrument was popular with amateur players throughout the 1920s, as evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time [25] (a role that was supplanted by the guitar in ...
God's Word Is Our Great Heritage was written in 1817 by N. F. S. Grundtvig, a Danish Lutheran Pastor. Gruntvig wrote the hymn as the 5th verse to Martin Luther 's Ein feste Burg [1] . The hymn was translated into English by Ole Gulbrand Belsheim in 1909.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Talbot was born into a Methodist family with a musical background in Oklahoma City, Oklahoma, and started learning to play the guitar at an early age.At age 15, he dropped out of school and was performing as a guitarist for Mason Proffit, a country folk-rock band formed with his older brother Terry.
[2] The song was written for voice and piano, [3] [4] along with chords for guitar, ukulele, and banjo. [5] On July 9, 1917, Conway's Band recorded the song with conductor Patrick Conway. It was released under the Victor record label. [6] The Peerless Quartet also recorded a version of the song in 1917. It was released under Columbia Records. [7]
The organ accompaniment rests on a pattern of chords held often for a full measure in the left hand, and broken chords in eighth-notes in the right hand. The choir voices enter together, with the lower voices also moving slowly like the left hand (a full measure for "Deep", another one for "peace"), while the soprano pronounces "peace" sooner ...
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