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In psychology, the Eysenck Personality Questionnaire (EPQ) is a questionnaire to assess the personality traits of a person. It was devised by psychologists Hans Jürgen Eysenck and Sybil B. G. Eysenck. [1] Hans Eysenck's theory is based primarily on physiology and genetics. Although he was a behaviorist who considered learned habits of great ...
The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. Northern or Antwerp Mannerism predates and is distinct from Italian Mannerism. Antwerp during its 16th-century boom produced a style that was the last phase of Early Netherlandish painting with Early Renaissance elements.
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
A common central theme of such literature and folktales is the often forceful "taming" of shrewish wives by their husbands. [2] Arising in folklore, in which community story-telling can have functions of moral censorship or suasion, it has served to affirm traditional values and moral authority regarding polarised gender roles, and to address social unease about female behavior in marriage.
Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. [1] It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined.
[4] [48] [49] Others again define it as a book with a square-bound spine, even if it is a collection of short strips. [50] Still others have used the term to distance their work from the negative connotations the terms "comic" or "comic book" have for the public, or to give their work an elevated air.
Norman Bryson discussed perceptualism in terms of optical truth, as opposed to constructivist interpretations that take into account the social values of any given era's zeitgeist. Ernst Gombrich discussed perceptualism in terms of universal perceptual and psychological responses that govern the reception of images across time and differences ...
Open form is a term coined by Heinrich Wölfflin in 1915 to describe a characteristic of Baroque art opposed to the "closed form" of the Renaissance. [2] Wölfflin tentatively offered several alternative pairs of terms, in particular "a-tectonic" and "tectonic" (also free/strict and irregular/regular), but settled on open/closed because, despite their undesirable ambiguity, they make a better ...