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"Straighten Up and Fly Right" is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. [3] It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The single also peaked at number nine on the pop charts. [4] "
Nat King Cole's King Cole Trio recorded the song on November 30, 1943, during a three-hour recording session at C.P. MacGregor Studios in Hollywood."Straighten Up and Fly Right," "If You Can’t Smile and Say Yes", and "Jumpin' at Capitol" were recorded during the same session, produced by Johnny Mercer and engineered by John Palladino. [1]
This was Cole's fourth, and final, recording of the song, and also the first version recorded in stereo. This recording of the song was subsequently added to a 1963 reissue of Cole's 1960 LP The Magic of Christmas (the album concurrently retitled The Christmas Song and given new cover art), and remains one of Cole's best-known recordings and ...
In 1944, “Straighten Up and Fly Right” soared to the top of the charts. With Crosby continually bringing them back on his program, the Trio even substituted for him in the summer of 1946. Cole led a big band and found work playing piano in nightclubs.
However, from January to August 26, 1944, "Race" records were also included. The September 2, 1944 chart forward is the predecessor to today's Hot Country Songs chart. 1944 - Elton Britt received the first gold record for a hillbilly/country music song, 1942's "There's a Star Spangled Banner Waving Somewhere." [2]
I Let a Song Go Out of My Heart; It Don't Mean a Thing (If It Ain't Got That Swing) L. ... Straighten Up and Fly Right; W. Washboard Blues; When My Sugar Walks Down ...
Brenda Song completely agrees with her Suite Life of Zack & Cody character, London Tipton.. At a press junket to promote her latest film The Last Showgirl, the Disney alumna, 36, told MTV that ...
Let's Face the Music! is a 1964 studio album by Nat King Cole, arranged by Billy May.It was recorded in November 1961, and released three years later. [4]The initial Billboard review from February 29, 1964 commented that "The fine blend of Cole singing is beautifully melded with the smart, witty and swinging backing supplied by Billy May...The tempos are mostly in that grand, finger-poppin ...