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The image of a soldier is also used in 2 Timothy 2:3–4 [4] as a metaphor for courage, loyalty and dedication; [5] this is followed by the metaphor of an athlete, emphasising hard work. In 1 Corinthians 9:7, [6] this image is used in a discussion of church workers receiving payment, with a metaphorical reference to a soldier's rations and ...
The song was used in attempts to foster a unique Southern national culture to distinguish the Confederate States from the United States. [3] The hymn was later included in The Soldier's Companion, the hymnal distributed to all Confederate soldiers. [4] Some considered "God Save The South" the de facto national anthem of
Singing the Songs of Zion: Soldier's Hymn Collections and Hymn Singing in the American Civil War; Civil War songs and hymns; American Song Sheets, Duke University Libraries Digital Collections – includes images and text of over 1,500 Civil War song sheets; Civil War-era pictorial envelopes and song sheets at the University of Maryland Libraries
The "Shepherd's Crook," the original insignia authorized for U.S. Army chaplains, 1880–1888, and still included as part of the U.S. Army Chaplain Corps regimental insignia Early army chaplain uniforms used the color black as a symbol of a ministerial presence, before corps insignia had been instituted WWI Army uniform coat with Christian Chaplain insignia WWI Army dress uniform coat with ...
Former Southern Partisan editor and co-owner Richard Quinn used the term when he referred to Richard T. Hines, former Southern Partisan contributor and Ronald Reagan administration staffer, as being "among the first neo-Confederates to resist efforts by the infidels to take down the Confederate flag." [3] An early use of the term came in 1954.
"Marching Through Georgia" [a] is an American Civil War-era marching song written and composed by Henry Clay Work in 1865. It is sung from the perspective of a Union soldier who had participated in Sherman's March to the Sea; he looks back on the momentous triumph after which Georgia became a "thoroughfare for freedom" and the Confederacy was left on its last legs.
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Chris Anderson – engineer Hoyt Axton – vocals, performer; Margaret Bailey – vocals; Dale Ballinger – vocals; Kris Ballinger – vocals; Russ Barenberg – guitar, mandolin ...