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We're the Superhumans is a television advert which was produced by Channel 4 to promote its broadcast of the 2016 Summer Paralympics in Rio de Janeiro.. Serving as a follow-up to Meet the Superhumans (which was used to promote the 2012 Summer Paralympics in London), the advert featured people of various backgrounds and disabilities (including several British Paralympic athletes) performing ...
The lyrics written by lead singer Tim Freedman were a statement on the destruction he saw in original Whitlams bassist Andy Lewis's life due to his gambling. The original music and some lyrics were written by Greta Gertler. The song was originally called "Dwell" before being later adapted by Freedman.
RWBY: Volume 4 (Music from the Rooster Teeth Series) was released on June 16, 2017. The album reached number 79 on the Billboard 200 . [ 9 ] It also appeared on the magazine's other album charts, with number 5 on Independent Albums , [ 10 ] number 6 on Hard Rock Albums, [ 11 ] and number 18 on Top Rock Albums.
Growing Pains ("As Long As We Got Each Other") – lyrics by John Bettis and Steve Dorff B. J. Thomas (season 1 solo) with Jennifer Warnes (seasons 2–7) and Dusty Springfield (season 4), Joe Chemay, Jim Haas, Jon Joyce and George Merrill (season 6, part of 7, and the series finale) The Guardian ("Empire on My Mind") – The Wallflowers
The band posted new songs on the official Mediaskare YouTube channel, entitled "Slaughterhouse 5", "Bluebeard" and "Deadeye Dick" prior to the release of Mosh N' Roll on August 2, 2011. In early 2013, it was announced that guitarist Chris Towning officially joined Devildriver as their permanent bassist.
Marry Me is an American television sitcom that originally aired on NBC from October 14, 2014, to February 17, 2015. The remaining 4 episodes aired on Channel 4.The series stars Casey Wilson and Ken Marino and aired Tuesday nights at 9 pm (ET/PT)/8 pm (CT) as part the 2014–15 television season.
Casey is also approaching puberty, and he falls short of answers to her questions, especially since his wife does not keep in contact with them. Despite the estrangement and the bitterness he now feels, he sometimes remembers wistfully the way he felt about her when he was in love with her, but that he now seemingly believes she wasn't cut out ...
In "Homeboy", the narrator addresses a delinquent brother who has taken to a destructive urban lifestyle. The lyrics play on the word "homeboy", turning it into a plea for his brother to "come on home, boy." [1] Co-writer Casey Beathard came up with the song's idea after hearing his son say "come on, homeboy" to a friend. [2]