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Later came William Sharp's anthology of American Sonnets (1889) [98] and Charles H. Crandall's Representative sonnets by American poets, with an essay on the sonnet, its nature and history (Houghton Mifflin & Co., 1890). The essay also surveyed the whole history of the sonnet, including English examples and European examples in translation, in ...
Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
The first 126 are addressed to a young man; the last 28 are either addressed to, or refer to, a woman. (Sonnets 138 and 144 had previously been published in the 1599 miscellany The Passionate Pilgrim.) The title of the quarto, Shake-speare's Sonnets, is consistent with the entry in the Stationers' Register. The title appears in upper case ...
Cien sonetos de amor ("100 Love Sonnets") is a collection of sonnets written by the Chilean poet and Nobel Laureate Pablo Neruda originally published in Argentina in 1959. Dedicated to Matilde Urrutia , later his third wife, it is divided into the four stages of the day: morning, afternoon, evening, and night.
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
This category contains a selection of articles about the 154 individual sonnets written by William Shakespeare. For more information see Shakespeare's Sonnets Poetry portal
William Bowles' sonnets on the Itchen [32] and the Cherwell [33] bring him melancholy recollections of his personal past. Where such associations are absent, as in the sonnets "To the River Wenbeck" and "To the River Tweed", it is the consolatory power of nature, not altogether absent from the others, which is emphasised. [34]
In this sonnet (1) there is no overt "you" or "thou" (contrary to most of the sonnets and in particular to sonnets 34, 35 and 36 which all three use "thou") and (2) there is no mention of the supposed "fault" committed by the addressee towards the poet (as in sonnets 34 and 35) nor of the supposed "guilt" borne by the poet which may affect the ...