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This borrowing is discussed by George Burke Johnston in his Poems of Ben Jonson (1960), who points out that "the poem is not a translation, but a synthesis of scattered passages. Although only one conceit is not borrowed from Philostratus, the piece is a unified poem, and its glory is Jonson's. It has remained alive and popular for over three ...
McHale hired The Blasting Company, to score music and songs for the series, and gave all sorts of direction as there are different styles of music. [1] The band felt that, "the sound of the world that he created was completely integral to its creation, from the very beginning.
"The Dark Night of the Soul" by Juan de Yepes Alvarez (St. John of the Cross) Donovan has set many poems to music in addition to the ones already mentioned: The album H.M.S. Donovan includes several poems from One Hundred Poems for Children compiled by Herbert Strang "Jabberwocky" by Lewis Carroll "Walrus and the Carpenter" by Lewis Carroll
The poem's central conceit, the dialogue between heart and eye, was a period cliché. Sidney Lee traces it to Petrarch and notes analogues in the work of Ronsard, Michael Drayton, and Barnabe Barnes. The poem has not enjoyed a high reputation. Henry Charles Beeching speculates that it might be a half-serious spoof of a clichéd type of poem.
Because, you come to me, with naught save love, and hold my hand and lift mine eyes above, a wider world of hope and joy I see, because you come to me! Because you speak to me in accent sweet, I find the roses waking 'round my feet, and I am led through tears and joy to thee, because you speak to me! Because God made thee mine, I'll cherish thee!
The Allmusic review by Brian Olewnick awarded the album 4 stars, stating: "Poems for Piano is a superb recording, offering abundant evidence of both Marion Brown's deep and sensitive compositional gifts and Amina Claudine Myers' all-too-unrecognized strengths as a player and interpreter. Highly recommended".
As already the original biblical poetry, it is "full of beautiful, sensuous imagery". [4] The piano writing evokes images like waves at a shore, [7] paired with "expressive and sometimes highly melismatic freedom of vocal writing". [1] Composed for Britten's partner Peter Pears, and performed by the two men in the first performance, it carries ...
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
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