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Willa McClung Evans suggested that Jonson's lyrics were fitted to a tune already in existence and that the fortunate marriage of words to music accounted in part for its excellence. [8] This seems unlikely since Jonson's poem was set to an entirely different melody in 1756 by Elizabeth Turner.
Because, you come to me, with naught save love, and hold my hand and lift mine eyes above, a wider world of hope and joy I see, because you come to me! Because you speak to me in accent sweet, I find the roses waking 'round my feet, and I am led through tears and joy to thee, because you speak to me! Because God made thee mine, I'll cherish thee!
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"The Dark Night of the Soul" by Juan de Yepes Alvarez (St. John of the Cross) Donovan has set many poems to music in addition to the ones already mentioned: The album H.M.S. Donovan includes several poems from One Hundred Poems for Children compiled by Herbert Strang "Jabberwocky" by Lewis Carroll "Walrus and the Carpenter" by Lewis Carroll
Similar to the first section of the cantata, the lyrics of “The Lord is My Shepherd, Alleluia” originate from Psalm 23 (KJV). [1] This piece features rhythmic and legato singing. A beautiful blend of soprano and tenor voices begin the piece, setting the tone and creating an aura of peace and contentment.
The speech ends with the first lyrics of the "Battle Hymn": "Mine eyes have seen the glory of the coming of the Lord." Bishop Michael B. Curry of North Carolina , after his election as the first African American Presiding Bishop of The Episcopal Church , delivered a sermon to the Church's General Convention on July 3, 2015, in which the lyrics ...
"This Heart of Mine" is a 1944 song written by composer Harry Warren and lyricist Arthur Freed, and featured in the musical score of the film, Ziegfeld Follies. The song is introduced by Fred Astaire , who dances with Lucille Bremer in a lavish and romantic dance sequence.
Instead, it would focus on emotional love. Lines five and six state that the young man who is the object of the poem resides inside the speaker's heart, where he is unseen by the "crystal eyes". The seventh and eighth lines state that the eyes disagree with the heart and argue that they are capable of detecting of the beauty of a person.