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The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
Jessica next appears at Belmont in act 3, scene 2, accompanying Lorenzo and Salerio, a messenger delivering a letter to Bassanio from Antonio. The letter informs him that all Antonio's business ventures have failed, such that he has defaulted on the bond to Shylock, and that Shylock intends to collect on the "pound of flesh".
In act 1, scene 3, Shylock finally agrees to lend Bassanio three thousand ducats they all agree to the loan, Bassanio offers Shylock to eat with him, but he denies the offer on the grounds of eating with Christians. After a long debate about the Jewish versus Christian morality of charging interest on loans, Shylock decides to add a clause that ...
Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4. [36] Summary Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia.
The popular form of the expression is a derivative of a line in William Shakespeare's play The Merchant of Venice, which employs the word "glisters," a 16th-century synonym for "glitters." The line comes from a secondary plot of the play, in the scroll inside the golden casket the puzzle of Portia 's boxes (Act II – Scene VII – Prince of ...
All of the marriages that ended The Merchant of Venice are unhappy, Antonio is an obsessive bore reminiscing about his escape from death, but Shylock, freed from religious prejudice, is richer than before and a close friend and confidant of the Doge. Arnold Wesker's play The Merchant (1976) is a reimagining of Shakespeare's story. [12]
QUEEN: Come, come, you answer with an idle tongue. HAMLET: Go, go, you question with a wicked tongue. In The Merchant of Venice, Act IV, Scene i, Shylock and Bassanio enter into an argument using stichomythia at 4.1.65-9, which "catches the dramatic tension of a quasi-forensic interrogation": [12]
Far from lamenting his ill-treatment of the Jew who accuses him of spitting on him and calling him a dog, Antonio replies persistently "I am as likely to call thee so again, /To spit on thee again, to spurn thee too." (The Merchant of Venice 1.3/140–141) He agrees to pay with a pound of flesh if he forfeits the bond in lieu of the usual interest.