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Maine native and Connecticut resident Bill Flagg began using the term rockabilly for his combination of rock 'n' roll and hillbilly music as early as 1953. [55] He cut several songs for Tetra Records in 1956 and 1957. [56] "Go Cat Go" went into the National Billboard charts in 1956, and his "Guitar Rock" is cited as classic rockabilly. [55]
Carl Perkins – lead guitar and vocals; Jay Perkins – acoustic guitar and backing vocals; Clayton Perkins – double bass; W. S. Holland – drums; When Carl first played the song to Jay Perkins, Jay protested what sounded to him like an odd chord choice, going to a C7 chord after the E instead of the natural blues progression choice of A.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The Polecats played rockabilly with a "punk sense of anarchy and helped revive the genre for a new generation in the early '80s." [1] The band were first signed by the fledgling British rockabilly record label Nervous Records, [2] and recorded their first single "Rockabilly Guy" at guitarist Alan Warner's "Lane Studios" in 1979. Formerly with ...
Eddie Hinton, on the album Hard Luck Guy (1999, Capricorn) The song has been covered by many other artists, including the Juke Joints (on their album 20 years), the Top Cats (on their album Full Throttle Rockabilly), The Slippers (on their album Ubangi Stomp), [4] The Sundowners (on the B-side of their 1959 single "Snake Eyed Woman"), The ...
Red Hot 'N' Rockabilly: Charly 1979 Still Crazy: Crazy Rhythm Re-released in 1981 as Mr. Cool by Charly 1981 Cool and Crazy Rock-a-billy: Big Beat/Polarvox 1981 Teddy Jive: Charly 1982 Hey Teenager! Big Beat 1983 Live at Pickett's Lock: Charly Reissued on CD in 2003 by Teddy Boy Power 1984 Rollin' Through The Night: Big Beat/Virgin
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