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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629.
They are made of wood and usually last for generations. There are five basic types: male, female, aged, deities and monsters, all with many variations. [15] The masks are changed often throughout the play. In Kabuki, another form of Japanese theatre, actors do not wear masks but rely heavily on makeup for the characterizations.
Okuni Kabuki-zu Byōbu, a six-panel canvas from the 17th century, is the oldest known painting featuring Izumo no Okuni (pictured onstage, third panel from left).. Around 1603, Okuni began performing on the dry riverbed of the Shijōgawara (Fourth Street Dry Riverbed) of the Kamo River [5] and at Kitano Shrine. [6]
Traditionally, Izumo no Okuni is considered to have performed the first kabuki play on the dried-up banks of the Kamo River in Kyoto in 1603. Like Noh, however, over time, kabuki developed heavily into a set art form, with importance given to preserving the integrity of certain plays, down to using the same costume designs used several ...
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.