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"Better than Revenge" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Swift and Nathan Chapman produced the track, which is an electric guitar-driven pop-punk song. In the lyrics, Swift's character addresses a romantic rival that stole her boyfriend, lambasting the ...
For their part, Swift and Jonas have mended fences in recent years. The Jonas Brothers singer even made a lyrical change to the band's 2009 song, "Much Better," during a 2022 performance for their ...
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
In “Better Than Revenge (Taylor’s Version),” the line has been rewritten to: “He was a moth to the flame, she was holding the matches.” More from Variety Taylor Swift Adds 14 Shows ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Sometimes the guitarist leaves out the highest note in a double barre chord. Most variations of these two chords can be barred: dominant 7ths, minors, minor 7ths, etc. Minor barre chords include a minor third in the chord rather than the major third (in "E" and "A" shaped barre chords, this note happens to be the highest 'non-barred' note ...
Thus, in the simple chord progression I–ii–V–I, which in the key of C major would be the chords C Major–D minor–G Major–C Major, a musician could replace the I chords with "tonic substitutes". The most widely used substitutes are iii and vi (in a Major key), which in this case would be the chords "E minor" and "A minor".