Search results
Results from the WOW.Com Content Network
The film was produced in Texas on a budget of US$5,000. To present the afterlife, Williams used scenes from a 1911 Italian film called L'Inferno that depicted souls entering Heaven and in addition to Williams, the cast was made up of amateur actors and members of Reverend R. L. Robinson's Heavenly Choir, who sang the film's gospel music score. [8]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
The film is based on the parable of The Prodigal Son and a story by Brandon Rice, written and directed by Brad J. Silverman, and stars AJ Michalka, Jamie Grace, Shawnee Smith, James Denton, and Kevin Pollak. The film follows an 18-year-old woman who rejects her father's desire for her to be a church singer and goes to Hollywood seeking stardom.
Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. History
Dallas Jenkins (born July 25, 1975) is an American film and television director, writer and producer. He is best known as the creator, director, co-writer and executive producer of The Chosen, the first multi-season series about the life of Jesus of Nazareth.
The film then cuts to the beginning of a church service. As men enter the church, they go up and kiss each other on the lips before they are seated. After everyone is seated, people start clapping and singing together. Then there is a cut to the pastor talking to the congregation. He invites those who have not found the Holy Ghost to find out.
A "Full Service" includes all three of these groups. But with the demise of daily "Matins" (choral morning prayer) from the Anglican liturgy and the reduction of the choral element in communion services composers are now more likely only to set the evening service. The "Burial Service" (see Requiem) is sometimes set separately.
The church produced institutional films shortly after the industry was born. [4] Independently, however, Latter-day Saints were somewhat hesitant to adopt filmmaking as a method of storytelling. [5] The early 20th-century leaders of the LDS Church warned members against the potentially detrimental effects of cinema on society. [3]