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Nakajima partners him up with veteran detective Satō (Takashi Shimura). After Satō skillfully questions the girlfriend, the two detectives learn that the gun dealer Tachibana, who is using the alias of 'Honda', is a fan of baseball. They stake-out a local high-attendance baseball game looking for Tachibana and manage to lure him away from the ...
A country girl Teruko falls in love with the aristocrat Yanagisawa. When she once asks him what the meaning of life is, he responds that it is to live freely. Unfortunately, he does that by abandoning her. Teruko tries to commit suicide, but luckily is saved. Yanagisawa returns and apologizes to her.
Ugetsu (雨月物語, Ugetsu Monogatari, lit."Rain-moon tales") [3] is a 1953 Japanese period fantasy film directed by Kenji Mizoguchi starring Masayuki Mori and Machiko Kyō.It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from Ueda Akinari's 1776 book Ugetsu Monogatari, combining elements of the jidaigeki (period drama) genre with a ghost story.
The Catch was presented at retrospectives on Ōshima at the Museum of Modern Art, [6] the Berkeley Art Museum and Pacific Film Archive [7] and the Harvard Film Archive. [8] It was screened at the Tokyo International Film Festival in 2011.
In a small countryside town, the schoolyear has ended. While Tomiko, daughter of a single mother and of lower middle-class descent, has been ranked the best pupil in her class, her classmate and friend Nobuko, daughter of a seemingly intact upper-class family, has only been ranked tenth.
A Good Librarian Like a Good Shepherd, known in Japan as Daitoshokan no Hitsujikai (Japanese: 大図書館の羊飼い, lit. Large Library's Shepherd or The Shepherd of the Great Library), is a Japanese adult visual novel developed by August and released on January 25, 2013 for Windows as a DVD.
This story discusses suicide. If you or someone you know is having thoughts of suicide, please contact the Suicide & Crisis Lifeline at 988 or 1-800-273-TALK (8255). The parents of a young ...
Scattered Clouds was presented at the Berkeley Art Museum and Pacific Film Archive in 1981 [4] and at the Museum of Modern Art in 1985 [5] and 1987, [6] the second time with an introduction by historian Donald Richie.