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Scherzo in D minor is Sergei Rachmaninoff's earliest surviving composition for orchestra, composed when he was a student at the Moscow Conservatory. [1] It takes between four and five minutes to play. The manuscript is dated 5-21 February 1888, when Rachmaninoff was still only 14. An unknown hand has changed this date to 1887. [2]
A scherzo (/ ˈ s k ɛər t s oʊ /, UK also / ˈ s k ɜːr t-/, Italian:; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata.
The Scherzo in F-sharp minor is one of the few surviving examples of Dmitri Shostakovich's early works, [1] along with five of his Eight Preludes for piano. [2] It is commonly dated as being written during the autumn or early winter months of 1919, the composer's first year at the Petrograd Conservatory (now the Saint Petersburg Conservatory), when he was aged 13.
No. 2 - Lento assai in A minor - "The Sea and the Seagulls" No. 3 - Allegro molto in F ♯ minor - "The Day of Wrath", a study targeting the weak fingers of the hand. No. 4 - Allegro assai in B minor - "Dying Birds", a fusion of a Hopak and a Gavotte which functions as a study on repeated notes. [3] [4] No. 5 - Appassionato in E ♭ minor, a ...
The third movement is a presto C minor in 6/8 time formally composed of a scherzo and trio: arranged in an ABA format. [4] The A section is rhythmically complex while the B section is more lyrical and melodic. It features frequent pianissimo dynamics, and suggests the same mood as the third movement of Brahms' Violin Sonata No. 3 in D minor Op ...
The Scherzo was by Brahms, who had already proven himself a master of this form in his E flat minor Scherzo for piano and the scherzi in his first two piano sonatas. Schumann provided the finale. Schumann provided the finale.
David Matthews has noted the interconnectivity of the first movement with the Scherzo as similar to Mahler's interconnectivity of the first two movements of the Fifth Symphony, and that performing the Mahler with the Andante/Scherzo order would damage the structure of the tonal key relationships and remove this parallel, [20] a structural ...
Guitare in B minor, for voice (or violin) and piano (or orchestra) Op.28 Arlequin in G major, esquisse-caractéristique, for violin (or cello) and piano Introduction et Scherzo , from the ballet "Namouna" (c.1884)
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