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The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion"—either standalone or as a compound modifier.Both orthographic variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatically stopping a machine or engine when something has gone wrong".
This is a list of films that showcase stop motion animation, and is divided into four sections: animated features, TV series, live-action features, and animated shorts. This list includes films that are not exclusively stop motion.
The Wind in the Willows is a 1983 British stop motion animated film produced by Cosgrove Hall Productions for Thames Television and aired on the ITV network. The film is based on Kenneth Grahame's classic 1908 novel The Wind in the Willows. It won a BAFTA [1] [2] award and an international Emmy award. [2]
More is a 1998 short film created by Mark Osborne using stop motion animation. [1] More has won several awards, and was nominated for an Academy Award as Best Animated Short Film in 1998. [ 2 ]
Mad God is a 2021 American adult stop-motion animated experimental horror film written, produced, and directed by Phil Tippett. [5] Completed in 2021, it was produced over a period of 30 years. [6] Mad God premiered at the Locarno Festival on August 5, 2021, and was released in the United States by Shudder on June 16, 2022. It received critical ...
Hoffmaniada (Russian: Гофманиа́да, romanized: Gofmaniáda) is a 2018 Russian stop motion-animated feature film from Soyuzmultfilm.The film is one of the first full-length puppet animated film in the recent history of the animation studio.
Polly, also a stop-motion animator, sets Ella up with a job at the studio she works for. Ella accepts, under the impression that she will be assisting with the animation. She is however told by the director that she is to craft eyeballs for the stop-motion figures. Although disappointed, she spends the day working.
Inspired by the shadow-puppet animation in Harry Potter and the Deathly Hallows – Part 1, and an idea originally intended for Selick's yet-to-be-made stop-motion film The Shadow King, some of Wendell & Wild was done as silhouette animation, utilizing a combination of physical cutouts and CGI, with CGI used when cutouts were too limiting. [19]
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