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The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year.
Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris. Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation.
Zelenka: Requiem in D minor, ZWV 48 After Augustus the Strong Circa 1730; Mozart: Requiem, K. 626 (1791: Mozart died before its completion; Franz Xaver Süssmayr's completion is often used) Salieri: Requiem (1804) (played at his funeral on May 7, 1825) Cherubini: Requiem in C minor (1815) and Requiem in D minor (1836) Berlioz: Grande Messe des ...
The Requiem in D minor, a setting of the Missa pro defunctis for mixed choir, vocal soloists, three trombones, one horn, strings and organ with figured bass, [1] was composed by Bruckner in memory of Franz Sailer, the notary of the St. Florian Monastery, who bequeathed Bruckner a Bösendorfer piano. [2]
The later requiem in D minor was recorded by the same choir, orchestra and conductor, and released by EMI in 1987. Boston Baroque recorded the C-minor Requiem under Martin Pearlman in 2007 for Telarc. The Requiem in C Minor was also recorded by Hervé Niquet and Le Concert Spirituel for the Alpa Classics Label in 2016.
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Requiem aeternam Adagio, C minor, common time; Sequentia Dies irae Andante maestoso, C minor, 3/4; Offertorium Domine Jesu Christe "Rex gloriae" Andante moderato, G minor, common time "Quam olim Abrahae" Vivace, G minor, cut time "Hostias et preces" Andante, G minor, common time "Quam olim Abrahae" Vivace e più Allegro, G minor, cut time
The Lacrimosa (Latin for "weeping/tearful"), is part of the Dies Irae sequence in the Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. [ 1 ] Many composers, including Mozart , Berlioz , and Verdi have set the text as a discrete movement of the Requiem .