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Say Amen (Saturday Night) Selling Jesus; Send Me Your Money; Shallow Be Thy Game; Should the Bible Be Banned; Show Me a God; Shuffering and Shmiling; Sinner (Drowning Pool song) Something to Believe In (Poison song) Sorrow (Bad Religion song) Swimming in Your Ocean
E1 Music released "Say Yes" as the album's third single on June 2, 2014. "Say Yes" marks the third time the trio collaborated as solo artists following the disbandment of their group in 2006. Musically, "Say Yes" is an uptempo gospel and pop song, which takes influence from dance music.
Adam sang the song at the 1977 National Women's Conference in Houston, and it became a feminist as well as a gay anthem promoting LGBT rights in the United States. [18] 1980: Dolly Parton "9 to 5" 9 to 5 and Odd Jobs: Created for the playful-but-anti-patriarchal comedy film 9 to 5, the song was picked up as an anthem for women working in the ...
About a Girl (Sugababes song) Ain't No Way to Treat a Lady; Ain't Nothin' Goin' On but the Rent; Ain't Your Mama; Alejandro (song) All Hands on Deck (song) All I Wanna Do (Sheryl Crow song) All Woman; Allergy (song) Anna Wintour (song) Anything You Can Do (I Can Do Better) Arbeter Froyen; Asking for It (Hole song) Ay mamá
The song became an Internet meme and the subject of multiple parodies and ridicule. [170] "Swagger Jagger", Cher Lloyd (2011) Missing Andy singer Alex Greaves named this the worst track ever. [171] The song appeared in NME's unranked list "32 of the Very Worst UK Number One Singles of All Time". [172] "Hot Problems", Double Take (2012)
The song was the group's only single to chart on the Billboard Hot 100, peaking at #24 in 2003. [4] In 2014, Ambrosius revealed "Say Yes" was originally written for Ronald Isley for inclusion on The Isley Brothers' 2001 album, Eternal. [5] [6] However, Isley rejected the song in favor of the Jill Scott featured "Said Enough".
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
The song is a satire of televangelism, released in a period when several televangelists such as Jimmy Swaggart, Robert Tilton and Jim Bakker were under investigation for promising financial success to their listeners, provided they sent money to them. The song reached No. 10 in Canada, No. 20 in the United Kingdom and No. 23 in the United States.