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Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
It was adapted by flowers to orient pollinators leading to an example of co-evolution. [8] UV light allows them to broadcast a guide to where their pollen is located. [4] Due to unique life characteristics and morphology of flowers, pollinators are more effective at taking the pollen and spreading it to other flowers of the same species. [3]
His use of bright color reflects this. There is an individual, and hence essential, character to his subject, a sprig of almond buds and opening blossoms. This still life resembles the Japanese art of flower arrangement, ikebana, in its simplicity and evoked hopefulness as well as in its formal use of empty space. [12]
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The idea had been put forward by Charles Baudelaire, that all our senses respond to various stimuli but the senses are connected at a deeper aesthetic level. Closely related to this, is the idea that art has The spiritual dimension and can transcend 'every-day' experience, reaching a spiritual plane.
Types of frost flowers include needle ice, frost pillars, or frost columns, extruded from pores in the soil, and ice ribbons, rabbit frost, or rabbit ice, extruded from linear fissures in plant stems. [1] The term "ice flower" is also used as synonym for ice ribbons, but it may be used to describe the unrelated phenomenon of window frost as well.
Piloerection (goose bumps), the physical part of frisson. Frisson (UK: / ˈ f r iː s ɒ n / FREE-son, US: / f r iː ˈ s oʊ n / free-SOHN [1] [2] French:; French for "shiver"), also known as aesthetic chills or psychogenic shivers, is a psychophysiological response to rewarding stimuli (including music, films, stories, people, photos, and rituals [3]) that often induces a pleasurable or ...
The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime, but also deals with the experience of fine art.