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Psalm 97 is the 97th psalm of the Book of Psalms, beginning in the English of the King James Version: "The Lord reigneth; let the earth rejoice", also as "The Lord is King". [1] The Book of Psalms is part of the third section of the Hebrew Bible , [ 2 ] and a book of the Christian Old Testament .
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Divine Presence in Islam is known as "Hadra" and the human experience of it is known as "Hudur". [3] Practices in Sufism intended to evoke Hudur usually characterize it as "the heart's presence with Allah" ("Hudur al-Qalb"). [4] Examples of such practices include: The Haḍra group ritual; Muraqabah (meditation) in general
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
A ner tamid hanging over the ark in a synagogue. In Judaism, the sanctuary lamp is known as a Ner Tamid (Hebrew, “eternal flame” or “eternal light”), Hanging or standing in front of the ark in every Jewish synagogue, it is meant to represent the menorah of the Temple in Jerusalem, as well as the perpetual fire kept on the altar of burnt offerings before the Temple. [2]
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
People have been found to perceive images with spiritual or religious themes or import, sometimes called iconoplasms or simulacra, in the shapes of natural phenomena. The images perceived, whether iconic or aniconic , may be the faces of religious notables or the manifestation of spiritual symbols in the natural, organic media or phenomena of ...
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