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Audiovisual archiving—the collecting, preserving, management, and use of audiovisual heritage—has established its credentials as a distinct profession. The first audiovisual archives came into existence about a century ago, but sustained growth is basically a phenomenon of the second half of the 20th century. [2] Andreas Bohnenstengel Negative
IASA has members from more than 70 countries representing a broad palette of audiovisual archives and personal interests which are distinguished by their focus on particular subjects and areas, for example: archives for all sorts of musical recordings, historic, literary, folkloric and ethnological sound documents, theatre productions and oral history interviews, bio-acoustics, environmental ...
The Coordinating Council of Audiovisual Archives Associations (CCAAA) is an umbrella group of international private organizations working on audiovisual archiving. These professional organizations have a common goal of promoting and encouraging the preservation and the accessibility of the world's audiovisual heritage. [ 1 ]
Often, a country has its own film archive to preserve the national audiovisual heritage. The International Federation of Film Archives comprises more than 150 institutions in over 77 countries and the Association of European Film Archives and Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991.
The Fédération Internationale des Archives de Télévision - International Federation of Television Archives (FIAT/IFTA) is a worldwide association of institutions, commercial companies and individuals managing or with a special interest in audiovisual archiving in general and television archives in particular.
The World Day for Audiovisual Heritage takes place every 27 October. This commemorative day was chosen by UNESCO (the United Nations Educational, Scientific and Cultural Organization) in 2005 to raise awareness of the significance and preservation risks of recorded sound and audiovisual documents (films, sound and video recordings, radio and television programmes).
National Audio-Visual Conservation Center – US Library of Congress audiovisual archive; Library of Congress – US Congress research library; Academy Film Archive – Part of the Academy Foundation; National Archives and Records Administration – United States government agency; Packard Humanities Institute – American non-profit foundation
ARSC was founded in 1966 [3] by a group of academics, primarily music librarians, who felt that contemporary professional associations such as the Music Library Association (MLA) were not paying enough attention to the special needs of recorded sound archives, and that scholars were giving too little attention to historical recorded sound as opposed to printed sources. [4]