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The Garden at Sainte-Adresse is a painting by the French impressionist painter Claude Monet. (Oil on canvas, 98.1 by 129.9 centimetres (38.6 in × 51.1 in)). [1] The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the French title La terrasse à Sainte-Adresse. [2]
Subsequently, the painting was bought by the Parisian dealer Paul Durand-Ruel, and then became the property of the Musée des Beaux-Arts de Lyon in 1902. The museum was a forerunner in the collecting of early 20th century Impressionist paintings. [2] The painting is composed of four major elements, each painted in a different way.
Category: Impressionist paintings. 26 languages. ... Tampuhan (painting) The Train in the Snow; Two Riders on the Beach; V. The Valley of the Creuse, Sunset
The various elements of the painting are unified through brushwork; short, crisp strokes were used to paint the grasses of the cliff, the girls' drapery and the distant sea. A sense of movement suggested by painterly calligraphy was a property of Monet's work in the 1880s, and is here used to connote the effect of a summer wind upon figures ...
A homage to this painting appears in the final panel of On the False Earths (1977), the seventh volume of Jean-Claude Mézières and Pierre Christin's long-running comic book series Valérian and Laureline. [11] The painting was featured prominently in Jean-Pierre Jeunet's film Le Fabuleux Destin d'Amélie Poulain — released in English as ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
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