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West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Gnawa singer in Salé, Morocco. Gnawa music (Ar. ڭْناوة or كْناوة) is a body of Moroccan religious songs and rhythms. [1] [2] Emerging in the 16th and 17th centuries, Gnawa music developed through the cultural fusion of West Africans brought to Morocco, notably the Hausa, Fulani, and Bambara peoples, whose presence and heritage are reflected in the songs and rituals.
The rhythmic basis for one of the most enduring Latin jazz tunes comes from a cáscara variant adopted as a mambo bell pattern. "Manteca," co-written by Dizzy Gillespie and Chano Pozo in 1947, is the first jazz standards to be rhythmically based on clave. [57] The rhythm of the melody in the A section is identical to a common mambo bell pattern.
Township music (also township jazz) is any of various music genres created by black people living in poor, racially segregated urban areas of South Africa ("townships") during the 20th century. The principal genres of township music are mbaqanga , kwela , and marabi .
The section includes observations made in the ante-bellum and Civil War periods, as well as references to African rhythms and the jazz of the period that is the book's subject. The section on form covers African elements, European influences, and forms developed by African-Americans in the South.
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Ethiopian jazz, also referred to as Ethio-jazz, is a blend of traditional Ethiopian music with jazz, combining the pentatonic scale-based melodies of Amharic music with the 12-tone scale and instrumentation of western music. Over time the genre has grown to include elements from other genres such as afrofunk, soul, Armenian jazz, and Latin ...