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Sophia's internals. Sophia was first activated on Valentine's Day, [9] February 14, 2016. [2] The robot, modeled after the Ancient Egyptian Queen Nefertiti, [10] Audrey Hepburn, and its inventor's wife, Amanda Hanson, [1] [11] is known for its human-like appearance and behavior compared to previous robotic variants.
Vyommitra (Sanskrit: Vyōma "space", Mitra "friend") is a humanoid robot with appearance of a woman designed for space travel. It was designed at the Vikram Sarabhai Space Center in Thiruvananthapuram, Kerala and developed by the Indian Space Research Organisation (ISRO) to function aboard the spacecraft Gaganyaan, a crewed orbital spacecraft.
A gynoid, or fembot, is a feminine humanoid robot. Gynoids appear widely in science fiction films and arts. As more realistic humanoid robot design becomes technologically possible, they are also emerging in real-life robot design. Just like any other robot, the main parts of a gynoid include sensors, actuators and a control system.
Hajime Sorayama (空山 基, Sorayama Hajime, born February 22, 1947) is a Japanese illustrator known, along for his design work on the original Sony AIBO, for his precisely detailed, erotic portrayals of feminine robots.
Lesli, the ship's computer that also takes the form of a gynoid, from The Dark Side of the Moon (1990) [13] Maria, a.k.a. Maschinenmensch, from Metropolis, described as the first memorable female robot in film. [14] [5] Morgan, from Morgan (2016 film) Olga, from The Perfect Woman (1949) [15] [7] Nila in Enthiran 2 Tamil movie
The silhouette of the robot and throne were carefully drawn onto a piece of plywood to be used as a matte, and using a pair of circular neon lights of a diameter corresponding with the matte's silhouette. By covering the glass plate with grease and filming the moving lights through it the illusion of a light circle moving up and down was created.
Ai-Da can be displayed in either a standing or seated position; although it has legs, it cannot walk. [12] A pair of cameras in the robot's eyes allow the robot to both make eye contact and, in conjunction with a computer vision algorithm and a modified robotic arm, create sketches of the robot's surroundings. [10]
An excerpt from Harlan Ellison's screenplay adaptation of I, Robot said of Calvin: She is a small woman, but there is a towering strength in her face. Tensile strength, that speaks to endurance, to maintaining in the imperfect world. Her mouth is thin, and her face pale. Grace lives in her features, and intelligence; but she is not an ...
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