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The term totalist refers to the aims of the music, in trying to have enough surface rhythmic energy, but also to contain enough background complexity. There is also an echo in the term of serialism 's "total organization," here drawn not from the 12-tone row , but from Henry Cowell 's theories about using the same structuring devices for rhythm ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Comes before other terms; e.g. poco diminuendo ("a little diminishing") poco a poco: little by little "Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much
Culture in music cognition refers to the impact that a person's culture has on their music cognition, including their preferences, emotion recognition, and musical memory. Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults' classification of the emotion of a musical piece depends on ...
Salsa, closely associated with the salsa genre, the term salsa denoting a "wild" and "frenzied" musical experience, being used as a vocal interjection to acknowledge the musical excitement of a performance. This usage can also express a sense of pan-Latin cultural identity, based around the "hotness" and "spiciness" of Latin culture. [7]
The term musical form (or musical architecture) refers to the overall structure or plan of a piece of music, and it describes the layout of a composition as divided into sections. [60] In the tenth edition of The Oxford Companion to Music , Percy Scholes defines musical form as "a series of strategies designed to find a successful mean between ...
In her view, "[t]his can include the more challenging types of jazz and rock music, as well as Classical". [6] The term "art music" refers primarily to classical traditions (including contemporary as well as historical classical music forms) that focus on formal styles, invite technical and detailed deconstruction [3] and criticism, and demand ...