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Bhai Dooj (Hindi: भाई दूज) in the entire Northern part of India, observed during the Diwali festival. In Awadh and Purvanchal regions of Uttar Pradesh and Bihar, it is also known as Bhaiya Dooj. It is widely celebrated by Maithils in Nepal and Bihar as Bhardutiya and people from various other ethnic groups.
The formal Hindi standard, from which much of the Persian, Arabic and English vocabulary has been replaced by neologisms compounding tatsam words, is called Śuddh Hindi (pure Hindi), and is viewed as a more prestigious dialect over other more colloquial forms of Hindi. Excessive use of tatsam words sometimes creates problems for native ...
Siva Manasula Sakthi (transl. Sakthi in Siva's heart) also known by the initialism SMS, is a 2009 Indian Tamil-language romantic comedy film written and directed by debutant M. Rajesh. It stars Jiiva and newcomer Anuya Bhagwat , a student of Pune Film Institute , in the lead roles, with Santhanam , Urvashi and Sathyan appearing in supporting ...
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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Kedarnath Agarwal (1911–2000), Hindi language poet and littérateur; Kedarnath Singh (1934–2018), poet, critic and essayist; Keshavdas (1555–1617), Sanskrit scholar and Hindi poet; Kishorilal Goswami; Koduram Dalit (1910-1967) Kripa Shankar Sharma; Kripalu Maharaj (1922–2013), spiritual master and a poet-saint
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.