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"The Children" is the tenth and final episode of the fourth season of HBO's medieval fantasy television series Game of Thrones. The 40th episode of the series overall, "The Children" was written by series co-creators David Benioff and D. B. Weiss, and directed by Alex Graves. It first aired on HBO on June 15, 2014.
"Calling All Cars" is the 50th episode of the HBO original series The Sopranos and the 11th of the show's fourth season. [1] Written by David Chase, Robin Green, Mitchell Burgess, and David Flebotte from a story by Chase, Green, Burgess, and Terence Winter, it was directed by Tim Van Patten and originally aired on November 24, 2002.
"Everybody Hurts" is the 45th episode of the HBO original series The Sopranos and the sixth of the show's fourth season. Written by Michael Imperioli and directed by Steve Buscemi , it originally aired on October 20, 2002.
[28] Fowler gave the episode an 8.6 out of 10. [28] Laura Prudom of Variety also praised the pacing of the episode as well as the season's payoffs, writing "There's a clarity of purpose in Season 6 that certainly gives the impression that we're barreling towards a conclusion instead of just meandering through Dorne or killing time in Qarth." [30]
Six months after their parents were killed in a car accident involving a drunk driver, the five Salinger orphans are struggling to make ends meet and keep their family together to raise their 10-month old newest brother Owen.
After the episode aired, Clarke made a point to indicate that it was not a body double in the final scene of the episode, [4] stating, "I'd like to remind people the last time I took my clothes off was season 3. That was awhile ago. It's now season 6. But this is all me, all proud, all strong. I'm just feeling genuinely happy I said 'Yes.'
The episode drew an average of 1.5 million viewers. [5] Coverage considered this as low compared to other HBO series like Deadwood and The Sopranos, but felt that including repeats of the episode and video-on-demand viewers would enhance the figure. [5] Despite the low figures HBO commissioned a fifth season of the show two days after the ...
The episode achieved a viewership of 6.95 million during its initial airing in the United States, [4] and received acclaim from critics and viewers, highlighting the episode's battle sequence and the emotional depth. For the episode, Neil Marshall was nominated for the Primetime Emmy Award for Outstanding Directing for a Drama Series. [5]
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