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The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent.
Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born British producer, dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama, known for coining the term "theatre of the absurd" in his 1961 book The Theatre of the Absurd. This work has been called "the most influential ...
Ionesco instigated a revolution in ideas and techniques of drama, beginning with his "anti play", The Bald Soprano which contributed to the beginnings of what is known as the Theatre of the Absurd, which includes a number of plays that, following the ideas of the philosopher Albert Camus, explore concepts of absurdism and surrealism.
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Surreal humour in theater is usually about the insensitivity, paradox, absurdity, and cruelty of the modern world. [ citation needed ] Absurd and surrealist cinema often deals with elements of dark humour : disturbing or sinister subjects like death, disease, or warfare are treated with amusement and bitterness, creating the appearance of an ...
Absurdity has been explored, particularly the absurd (in the above philosophical sense), in certain artistic movements, from literary nonsense to Dada to surrealism to absurdist fiction. Following the Second World War , the Theatre of the Absurd was a notable absurdist fiction movement in the dramatic arts, depicting characters grappling with ...
Ubu Roi (French: [yby ʁwa]; "Ubu the King" or "King Ubu") is a play by French writer Alfred Jarry, then 23 years old.It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre (today, the Théâtre de Paris).
Adamov (originally Adamian) was born in Kislovodsk in the Terek Oblast of the Russian Empire to a wealthy Armenian family. [2]:92 At the outbreak of the First World War, the family was at risk of being interned as "enemy citizens", and only "through the special intervention of the King of Wurttemberg" were they able to escape to Geneva, Switzerland.