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The Polovtsian dances, or Polovetsian dances (Russian: Половецкие пляски, romanized: Polovetskie plyaski from the Russian "Polovtsy" – the name used by the Rus' for the Kipchaks and Cumans) form an exotic scene at the end of act 2 of Alexander Borodin's opera Prince Igor.
It contains the Polovtsian Dances, often performed as a stand-alone concert work forming what is probably Borodin's best-known composition. Borodin left the opera (and a few other works) incomplete at his death. [30] Prince Igor was completed posthumously by Rimsky-Korsakov and Alexander Glazunov.
Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor, listen ⓘ) is an opera in four acts with a prologue, written and composed by Alexander Borodin.The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. [1]
"Stranger in Paradise" is a popular song from the musical Kismet (1953), credited to Robert Wright and George Forrest. Like almost all the music in that show, the melody was adapted from music composed by Alexander Borodin (1833–1887), in this case, the "Gliding Dance of the Maidens", from the Polovtsian Dances in the opera Prince Igor (1890).
Part of unperformed collaborative ballet-opera-spectacle by Cui (Act 1), Mussorgsky and Rimsky-Korsakov (Acts 2 and 3), and Borodin (Act 4), with ballet music by Minkus. Borodin used material from his unfinished Prince Igor as the basis for Act 4. Finale orchestrated by Rimsky-Korsakov as a concert piece (1892)
Category: Compositions by Alexander Borodin. 11 languages. ... Petite Suite (Borodin) Polovtsian Dances; S. Scherzo in A-flat major (Borodin) String Quartet No. 2 ...
"Prince Igor" is a song inspired by the Polovtsian Dances of Alexander Borodin's opera Prince Igor. It was released as the lead single from the album, The Rapsody Overture in October 1997. The main vocals are performed by Warren G , the Russian refrain by acclaimed Norwegian soprano Sissel Kyrkjebø and the instrumental background is provided ...
These included the Polovtsian Dances (from Prince Igor), Le Pavillon d'Armide (a revival of his 1907 production for the Imperial Russian Ballet), Les Sylphides (a reworking of his earlier Chopiniana), The Firebird, Le Spectre de la Rose, Petrushka, and Daphnis and Chloé. After a longstanding tumultuous relationship with Diaghilev, Fokine left ...