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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
As part of what is now referred to as the bal musette, Fréhel often sang accompanied by bagpipes and/or an accordion player. In the 1930s, she appeared in several motion pictures, almost always portraying a singer in a minor or supporting role.
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Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like Léon Chanal , Emile Vacher and Martin Cayla .
The Bal-musette was a popular kind of dancing venue for working-class Parisians. It originated among the Auvergnats who came to Paris in large numbers in the 19th century. They took place at cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows -blown bagpipe locally called a " musette ") and often ...
Music school students play on a Paris square Concert at a Paris club, LaPlage de Glazart. Music in the city of Paris, France, includes a variety of genres, from opera and symphonic music to musical theater, jazz, rock, rap, hip-hop, the traditional Bal-musette and gypsy jazz, and every variety of world music, particularly music from Africa and North Africa. such as the Algerian-born music ...
Musette bressane, a type of French bagpipe; Oboe musette or piccolo oboe, the smallest member of the oboe family; Suona, a type of Chinese sorna (double-reeded horn) Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s; Tablature#Musette tablature, a form of musical notation