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In the 1720s, as the transverse flute overtook the recorder in popularity, English adopted the convention already present in other European languages of qualifying the word flute, calling the recorder variously the "common flute", "common English-flute", or simply "English flute" while the transverse instrument was distinguished as the "German ...
The soprano recorder is an octave above the level of the human soprano voice. Its lowest note is C 5, and the normal range is C 5 –D 7, but expert players achieve notes up to G 7.
These include the player's lips controlling the stream of air as it is directed to the edge, without mechanical assistance. Common examples of this are the end-blown ney and the side-blown concert flute. The first attested use of the term fipple is in a comparison between the recorder and the transverse flute by Francis Bacon, published in 1626 ...
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
Lower members of the flute family include the G alto and C bass flutes that are used occasionally, and are pitched a perfect fourth and an octave below the concert flute, respectively. The contra-alto , contrabass , subcontrabass , double contrabass , and hyperbass flutes are other rare forms of the flute pitched up to four octaves below middle C.
Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...
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