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Kenneth Patchen (December 13, 1911 – January 8, 1972) was an American poet and novelist.He experimented with different forms of writing and incorporated painting, drawing, and jazz music into his works, which have been compared with those of William Blake and Walt Whitman.
Ruff designed, printed and did etchings for limited editions of poems by his wife, by Kenneth Patchen, and by Jonathan Williams. [3] [4] He worked with the little magazine Inferno, taught evening classes in fine-press printing and engraving methods, and printed business cards for neighborhood dressmakers, letterhead paper, and concert programs.
Comics poetry traces its origins to illuminated manuscripts, graphic novels, concrete poetry, and poets who combined images and text such as Kenneth Patchen.In the mid-2000s, a number of artist-poets began publishing independently of one another, referring to what they were doing expressly as comics poetry.
Ms. Stephan's founding collection of books includes works by Ezra Pound, Kenneth Rexroth, Kenneth Patchen, Stanley Kunitz, W. H. Auden, John Berryman, Edna St. Vincent Millay and others, most of which are editions published in the 1940s and 1950s.
He also separated out artist-generated picture poems and artists' books as an allied category, citing the work of Kenneth Patchen. Also to be found in the university collection is Tom Phillips ' A Humument , as well as an assortment of handwritten but non-linguistic texts.
[24] [41] "Pages of Sin" highlighted the work of the lesser-known Venice Beach scene artists, as well as others, such as William Everson, Bern Porter, and Kenneth Patchen; "Flashback" centered on book art, posters, paintings, and ephemera (e.g., printed LSD blotter paper) inspired by rock music and hallucinatory drugs in conjunction with the ...
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