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Three dialects can be distinguished: [2] Northern Mamasa; Central Mamasa; Pattae' Speakers of Pattae' are a culturally distinct ethnic group traditionally more affiliated to the Mandar people than to speakers of the Northern and Central Mamasa dialects in the interior, and for that reason Pattae' is considered by its speakers to be a language separate from Mamasa proper (i.e. Northern and ...
Music journalists praised the sampling of the "Mama-say, mama-sa, ma-ma-ko-ssa" hook. For Pitchfork Media 's Tom Breihan—who characterized "Don't Stop the Music" as "an amazing bit of euroclub insanity combined with synth and bass"—the hook from Jackson's track smoothly blends into the song's powerful beat. [ 23 ]
The Mamasa (Mamasa: To Mamasa) is an ethnic group residing in Mamasa Regency, West Sulawesi. The Mamasa community is known in districts in Mamasa Regency. The Mamasa people are part of the Toraja sub-people. [1] Mamasa language is similar to Toraja language. The Mamasa people are often referred to as the Toraja Mamasa people.
Mamasa may refer to: Mamasa language; Mamasa Regency; Mamasa River; See also. Polewali-Mamasa, a former Indonesian Regency; Toraja Mamasa Church
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Mamasa Regency used to be part of Polewali Mamasa Regency, a former Indonesian Regency that used to be part of South Sulawesi but later became part of West Sulawesi province. In 2002, the regency was split into two smaller regencies: [4] Polewali Mandar Regency which is located on the sea-side region, and Mamasa Regency on the mountain area.
It is spoken in Mamasa Regency, West Sulawesi, Indonesia. [2] Aralle-Tabulahan has three major dialects: Aralle, Tabulahan and Mambi. The Mambi dialect is often regarded as the most divergent of the three dialects and is seen as at the centre of spectrum between the Aralle and Tabulahan dialects and the related Bambam language. [3]
Composer Daniel Doumbe Eyango is example of a pastor who composed many songs, including "Hymne à la Jeunesse", "Na ma Bolea Oa Nje", and others. LOTIN A SAME, who remains the single greatest composer of hymns in both quality and quantity was a pastor and the father of one of the first makossa musicians to be recorded, EBOA LOTIN and influenced ...