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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Following a move to Bar Hill, Cambridge circa 1975, or just before, HH extended its range of sound reinforcement equipment to include models such as the MA100 Mixer Amplifier, a 100 watt, 5 channel PA amplifier 'head' with a switchable spring reverb. The IC100L, V-S Bass and the V-S Musician, a two-channel 100-watt guitar amplifier head with a ...
Steve Kimock – 50-watt and 100-watt Dumble Overdrive Specials [34] Ben Harper – 3 × Overdrive Specials (50w head + 2×12" Cabinet, 100/50w 1×12" Combo, 100/40w Head + matching 1×12" Cabinet) [ 35 ] In March 2016, Harper explained that Dumble had him plug his guitar directly into the oscilloscope so he could note the frequency patterns of ...
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Blackstar's alternative range to the HT Venue range - clearly designed for Metal music and play-styles. Heads come in 1, 5, and 100 watt formats, and 1, 5, and 60 watt in combo format. These amps carry the signature ISF and emulated output of Blackstar amps. The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 ...
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