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Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
Ælfhere – a kinsman of Wiglaf and Beowulf. Æschere – Hroðgar's closest counselor and comrade, killed by Grendel's mother. Banstan – the father of Breca. Beow or Beowulf – an early Danish king and the son of Scyld, but not the same character as the hero of the poem; Beowulf – son of Ecgtheow, and the eponymous hero of the Anglo ...
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
Grendel flees but dies in his marsh den. There, Beowulf later engages in a fierce battle with Grendel's mother in a mere, over whom he triumphs with a sword found there. Following her death, Beowulf finds Grendel's corpse and removes his head, which he keeps as a trophy. Beowulf then returns to the surface and to his men at the "ninth hour". [4]
The next day, Beowulf was lauded and a skald sang and compared Beowulf with the hero Sigmund. However, during the following night Grendel's mother arrived to avenge her son's death and collect weregild. As Beowulf slept in a different building he could not stop her. He resolved to descend into the bog in order to kill her.
"Bear's Son Tale" (German: das Märchen vom Bärensohn, Bärensohnmärchen) [1] refers to an analogous group of narratives that, according to Friedrich Panzer [] 's 1910 thesis, represent the fairy tale material reworked to create the Anglo-Saxon poem Beowulf ' s first part, the Grendel-kin Story.
The parallel in the story lies with the similarity to Beowulf's hero Sigemund and his companion: Wiglaf is a younger companion to Beowulf and, in his courage, shows himself to be Beowulf's successor. [ 30 ] [ 31 ] The presence of a companion is seen as a motif in other dragon stories, but the Beowulf poet breaks hagiographic tradition with the ...
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]