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Holy Defense cinema (Persian: سینمای دفاع مقدس, romanized: Sīnimā-yi Difā'-i Muqaddas) refers to a genre of Iranian films that deals with various aspects of the Iran-Iraq war of 1980–1988. [1] Although little noticed in the West, the genre has produced more than 200 movies, including some critical and commercial hits.
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Kanimanga is an Iranian war movie directed by Seifollah Dad. The film's second cinematic effects built in 1987 (1366 AH) and released longest in the history of Iranian cinema theater with 15 years. The film's second cinematic effects built in 1987 (1366 AH) and released longest in the history of Iranian cinema theater with 15 years.
A list of films produced in Iran ordered by year of release. For an alphabetical list of Iranian films see Category:Iranian films. List of Iranian films before 1960; List of Iranian films of the 1960s; List of Iranian films of the 1970s; List of Iranian films of the 1980s; List of Iranian films of the 1990s; List of Iranian films of the 2000s
The Immigrant [1] (Persian: مهاجر, romanized: Mohājer) is a 1990 Iranian film by the director Ebrahim Hatamikia. The movie is set in the Mesopotamian Marshes during the Iran–Iraq War , and is a fictional look at the deployment of the early generation of Qods Mohajer drone fighters on the battlefield.
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The Situation of Mehdi (Persian: موقعیت مهدی, romanized: Mogheiyyat-e Mehdi) is a 2022 Iranian biographical war drama film about Mehdi Bakeri, an Iranian war hero in the Iran-Iraq war. The film is directed by Hadi Hejazifar and written by Hejazifar and Ebrahim Amini. [1] [2] [3] The film screened for the first time at the 40th Fajr ...
Oboor (Persian: عبور, Crossing or Transition in English) is a 1989 film by the Iranian director Kamal Tabrizi.Tabrizi also wrote the script. Set during the Iran-Iraq war, the film is an example of Sacred Defence cinema, a genre of Iranian films depicting the 1980–1988 war's impact on Iran.